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I suddenly began to understand better Pleyel, which I didn't appreciate before. I have discovered today that mysterious FRAIL sound - so often in recordings of Cortot and S. François (my favorite pianist for Chopin)... Short though round, transparent and dexterous like a butterfly's wings...
I don't know if such quality is a common feature of the mark, as I have never had experience on any other modern Pleyel, but this one does show an innate smell to the "French", apart from recalling to a remote era - the piano is of the year 1911, as a gift to Granados by the Pleyel family.
So lucky I felt, and happy to know that I am welcome back for another year : )
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